It was hot, a very hot day, sultry, just before
monsoon season, but there was exuberance in the air, there was love,
excitement, and celebration. It
was 1915
in Jamalpur India, during the colonial period of British rule, and
perhaps
ruin. But on this
day the princess was
born, my mother, Hylda Eileen May McGhie, born to Adrian and Eileen
McGhie,
their first born child. I
say princess,
because this is how she was viewed and treated by her father, and house
attendants,
cook, sweeper, doby, dersey, iyas and gardeners.
Her mother watched her with a little more of
a discerning eye, however. As
she grew
she was filled with life and very feisty, beautiful, determined, and
used her
unlimited charm to have her way. It
took
a little getting uses to four years later when she was told that the
attention
getting noisy bundle was called her sister, Joan, and she was here to
stay. By the ages
of 8 and 4 the two
sisters managed a good relationship most of the time, and they happily
ran the
large grounds, under the watchful eye of the iya, and accompanied by
their much
loved pets... a goat for Hylda and a lamb for Joan – they
also had Big Ben, a
huge Bull Mastiff whose weekly passion was to take himself to the train
station
and ride the train to Bombay and back in a compartment all to himself.
At twelve, Mom and her eight year old sister
Joan received the rather startling news that they were going to England
on
their own to receive a superior education at the Adelphi Convent in
Manchester,
and live with their father’s two maiden aunts, Auntie Minnie
and Auntie
Edith. They would come home to India
for the long summer holidays, and their mother would visit them in
England once
a year. My
mother’s free spirit and
feisty nature took a hard knock in this conservative and routine way of
life,
both at home, and by the expectations of the Loretta sisters and the
convent. Mom, an
avid seeker of fun with
her great sense of humour and her creative spirit, survived this less
enchanting period of her life with an extraordinary photographic
memory,
allowing her, for instance, to memorize the complete text of Latin
translations
from English into Latin, and Latin into English. She breezed through
school
each year, never really finding out how she would have fared without
this
gift. During this
time in England she
also discover her amazing creativity – her painting and
sketches were
beautiful, and she played the violin like it was her first language,
and of
course it was, the language of her soul.
In later years she attributed her talent as an actress to
her
involvement in the drama program at the Adelphi convent.
At 20 it was in this environment and era that my mother met her husband to be, 14 years her senior, Frank Rupert Tanfield, and yes, of the Tanfields in England. He left behind the “family breeding” and the “old money”, and came to India for the good life. The time was about 1937, and a climate of tension and doom were brewing slowly as talk of war was on the near horizon. In 1938 their first child was born, on December 3rd, Michael Arthur – a true gift to the world. And, in 1940, the year World War 2 broke out, their second child was born, Joan Eileen Elizabeth ( I was named after her mother, sister and the famous Elizabeth Tanfield in history).
After the
birth of their son,
my parent’s marriage was in a disastrous state.
The drinking was out of control by both partners, and my
mother relied
on the iyas to take care of her children, so Hindustani became my first
language. When my
brother was three and
I eighteen months old, my mother saw it best to send us to boarding
school,
up in
the beautiful hills to the town of Naini Tal, and to her aunt,
Mother
Gonzaga, our Auntie Gladys, who was the Mother Provincial of St.
Mary’s Convent there.
(Interestingly, she also wrote the English history and geography books
for the
educational system for Northern India.)
During this period Mom met the man who would be her future
husband, and she
occasionally sent the “Dandis” up to Naini Tal to
bring us for a visit to
Alahbahd.
When I was nine and Michael eleven we learned we would be separated, and that I would be going out to Africa to live with my mother, and stepfather, Hugh Marshall Price, head of the electricity supply commission for Rhodesia. By all account my mother’s alcoholism had accelerated hugely. She convinced her husband that it was because of her guilt about leaving her children. He agreed under the circumstances to allow one child, that would be me, to visit and made it clear that it was my job to make her happy, so all this nonsense would stop. My mom suffered so much from guilt on different levels, referring many times to the fact that as a divorced Catholic she was excommunicated from the church and sacraments, and should she die in this state of mortal sin she would go to hell. I wish she had known she was already in hell, and that heaven was just around the corner. I wonder why no one ever told her that. Father Seed was the one bright light in this scenario. He used to come and visit my mother once a year and always inquire “Mrs. Price and how is your first husband?” And she would say “Oh very well thank you Father”. He would then reiterate “PITY”.
She learned to cook for the first
time when she went to Rhodesia and became an amazing cook, but she
tells the
story that she needed to literally take a cookbook and study it, and
explained her
confusion when she had the custard and the cookbook told her to throw
it over
the rhubarb never telling her from what height or distance. Amazingly too while being
tormented by her
personal challenges and a broken marriage she was the leading actress
at the
Repertory Theatre for 14 years, mainly doing Shakespeare and sometimes
comedy. Another
first, during her new
life in Rhodesia she had a period of working as a sales representative
of
Revlon and DuBarry for Southern Rhodesia and was considered very
successful. She
sewed all our clothes,
seldom using a pattern; she had trunks of fabrics, and used to make an
outfit
with the same amount of effort as another may take to read a paper. And she made all her own
costumes for the
theatrical productions she was in too.
I
remember watching in amazement her spreading out yards and yards of
heavy
peach satin all over the floor, cigarette hanging from her lips, drink
waiting nearby, and cutting out then making this formal
period
gown, with bustles and scallops. Then, when this magnificent creation
was
finished for her part as Lady Teasle in an upcoming production, she
sewed
designs all over the flow of the skirt with literally hundreds of tiny
pearls.
However, her daughter was not able to make her
happy, as requested, and it turned out to be an excruciating agony for
her to
experience her daughter's growing beauty and see, from her point of
view (the ultimate
betrayal by a
daughter), her daughter
in
competition with her in her already broken marriage to a man who
sometimes had
violent episodes. After
she discovered
the secretive darkness of events that had been taking place, her 9 ½ year old
daughter was sent in silence to
boarding school until she was 13 – coming home for the 2 main
holidays in the
year.
Shortly after this period, we awakened to my
mother
singing, laughing, and being silly, just for us, my stepfather and I;
it was
the first day of the 14 she managed in her gallant attempt to bury the
monster of alcohol. There
was lightness in the
air; there was
laughter, and beautiful meals. I
will
always remember these days and three other such episodes.
Time passed and, after her children married and
had
children of their own and moved to other countries, my mother
and Hugh,
yes, she still remained married to Hugh, retired to Durban, South
Africa. Although my
mother lived there for 12
years, she never met anyone of any consequence so there were no
appearances to
keep up, nothing in her life with which to engage –
no anchor
– and there was a
deep loneliness within. The
struggle with
the monster became too big to fight, she did not recognize the
beauty
within, and so it was on September 5th,
1983, she
exited the great drama
of life, on the world stage, and the curtain fell for the last time. She was 68 years of age. Amazingly, 13 days
earlier, on another
continent, her first husband died but she never knew this.
The sequel to this story, as could only happen
through my mother, was that 2 months after her death in November, I
received a
birthday
card from her for my September birthday. She had forgotten to put a
stamp on
it, and it was mailed the day before she died. And the angels in the
mail
service had brought it to me without postage safely from Africa to
Canada. She did not
mention that she would be
leaving, but of course I already knew. I also knew that I was one of
the last
kind thoughts that she had.